Category Archives: Uncategorized

The Importance and Impact of Research on Fictional and Historical Fiction Works

By: Marin Thurmer

Back in November, I was pleased to meet one of Dr. TaraShae Nesbitt’s colleagues from graduate school, Dr. Shena McAuliffe, who currently teaches fiction at Union College in New York and visited Miami university classes and did a reading. Being a creative writing undergrad myself, along with other peers sitting around me, I felt the group’s anticipation to be introduced to McAuliffe’s particular style of research that contributes to her writing, mainly nonfiction and historical fiction works. The book in question: The Good Echo! This narrative doesn’t obey traditional schemes of narration, with the keystone of the work being a posthumous narration from the perspective of a dead son, just twelve years old when he succumbed to an infection in his root canal, which his father performed the fatal surgery on before his death.

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Madman by Tracy Groot Review & Recommendation

By: Alayna Cowden

As a person who, admittedly, shies away from things labeled “historical fiction” and worse, “Christian fiction,” I can’t deny that I felt a little apprehensive in starting this book. Would it be corny and preachy? Would Jesus be portrayed in a way that isn’t accurate or seems pushy?

Hence, it took me a while to muster up the courage to read Madman. Also, I’ve never really read anything that expressly dealt with things like demons or capital “E” Evil, so I had my reservations. However, I was horribly wrong about this book. It defied every expectation I had about what modern literature should do – and more so, what the function of something labeled “Christian fiction” should do.

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Meet Your Professors! — Interview Two, Patrick Murphy

Last semester, back when things were strange in the way we call “normal,” I was thrilled to be in the course ENG 360B: Comics in Theory and In Practice, co-taught by professors Jody Bates and Patrick Murphy. I had tried making comics before but always stopped short of completing them, but this class gave me the tools I needed to return to this incredible form of art and creative writing. When I decided to start this series of professor spotlights, I knew I wanted to learn more about Dr. Murphy’s work in comics. And now, with this interview, you can learn more too! — Lauren Miles

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Selvage, Diaspora, and Lingual Processes: a Conversation with Hoa Nguyen

National Poetry Month 2020

By: Savannah Trent

I sat down, well more accurately sat down and logged into google chat, to talk to poet Hoa Nguyen to ask her about identity, belonging, and the diasporic experience.  Nguyen, whose 2016 book length collection of poems Violet Energy Ingots was shortlisted for the 2017 Griffin prize in poetry, is a poet whose work is known for its melodic quality, weaving rhyme, non sequiturs, syllabic play, and references to Sappho and Shakespeare among others. Born in the Mekong Delta, she was raised in the Washington DC area during the time of punk, post-punk and the Reagan presidency though she now resides in Toronto where she teaches creative writing and serves as a mentor to Miami University’s low residency program in creative writing. She is also the author of Dark (Skanky Possum 1998), Your ancient see through (AA Arts 2001), Hecate Lochia (Hot Whiskey 2009), As long as trees last (Wave 2012) and Red Juice: Poems 1998-2008 (Wave 2014).

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Meet Your Professors! Interview One — cris cheek

National Poetry Month 2020

At the start of this semester, I wanted to begin a series of interviews with professors; I believe our faculty are what make the entire Miami English department special and I hoped to use the platform to showcase that. Now that so much has changed as a result of the pandemic, I hope this series can also help future students get to know the creative writing program since they can’t come visit in person. To kick this series off and continue with our National Poetry Month theme, I I interviewed poetry professor cris cheek about his work:

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Nīnauele me Jim Chapson — Interview by Paul Vogel

National Poetry Month 2020

Born in Honolulu in 1944, Jim Chapson attended San Francisco State University and received his MA in 1968. With his partner, the Irish poet James Liddy (1934–2008), he moved to Milwaukee in 1976 and taught in the UW-Milwaukee English Department as an adjunct until 2016. He served as Poet Laureate of the City of Milwaukee from 2014 to 2016. He spends most of his time reading, writing and shopping at Whole Foods.

I once wrote that Jim’s poems move deftly between razor-sharp satire and passionate spiritual concern. I’ve also been close friends with him for many years and understand how important he is to his former students and poets in Milwaukee.

Paul Vogel: What was growing up in Hawaii like? What does your haole identity mean to you?

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Virtual Student Reading — “Annabel Lee” read by Cosette Gunther

National Poetry Month 2020

To kick off this week, we have another virtual student reading! Today, Cosette Gunther (a first year and member of the editorial staff for inklings) is reading a favorite poem of hers — “Annabel Lee” by Edgar Allen Poe — and discusses a little bit about why she loves Poe’s poetry.