Join the Department of English and the Center for Career Exploration and Success (CCES) for Spill the Tea: English Edition, an afternoon of career-development workshops followed by an alumni panel, on Tuesday, April 9 in Shriver’s Heritage Room. There will be prizes, swag, and delicious food!
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UPDATE: We had a great event. Special thanks to all our alumni guests who shared their experiences and advice, and those of you who joined us. We had great feedback and questions in the chat. Current MFA student Ty Young was asked at the last minute to help with the technical aspects of the event and did a great job, Thanks!
On March 3rd, 2023, Creative Artist Agency Agent Alex Rice (and Miami alumna) joined the creative writing program’s Annual Publishing Symposium for a panel discussion on the publishing environment, and tips for students looking to get published or find a career in publishing. It was a fantastic event with many students turning out. I was lucky enough to be able to ask her questions on the panel, and she was generous in her answers and also in her willingness to do an interview.
–Brian Ascalon Roley
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To finish out this series, I interviewed Margaret Luongo, Director of Creative Writing, Associate Professor of English, and advisor for my apprenticeship with the CW program. Since my first (and regrettably, only) class with her, I have experienced just how wise and kind she is and I am very glad I got to work more closely with her as part of my apprenticeship, especially now that it is coming to close along with the rest of my college career. I’m very thankful that I have been able to work with Prof. Luongo over this past year, and I hope you all enjoy learning a bit more about her!
-Lauren Miles
Back in November, I was pleased to meet one of Dr. TaraShae Nesbitt’s colleagues from graduate school, Dr. Shena McAuliffe, who currently teaches fiction at Union College in New York and visited Miami university classes and did a reading. Being a creative writing undergrad myself, along with other peers sitting around me, I felt the group’s anticipation to be introduced to McAuliffe’s particular style of research that contributes to her writing, mainly nonfiction and historical fiction works. The book in question: The Good Echo! This narrative doesn’t obey traditional schemes of narration, with the keystone of the work being a posthumous narration from the perspective of a dead son, just twelve years old when he succumbed to an infection in his root canal, which his father performed the fatal surgery on before his death.
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We have all likely experienced the feeling to some extent: your life is moving at a pace out of sync with your peers, you are behind, you might not reach the next milestone that is expected of you.
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Last semester, back when things were strange in the way we call “normal,” I was thrilled to be in the course ENG 360B: Comics in Theory and In Practice, co-taught by professors Jody Bates and Patrick Murphy. I had tried making comics before but always stopped short of completing them, but this class gave me the tools I needed to return to this incredible form of art and creative writing. When I decided to start this series of professor spotlights, I knew I wanted to learn more about Dr. Murphy’s work in comics. And now, with this interview, you can learn more too! — Lauren Miles
By: Savannah Trent
I sat down, well more accurately sat down and logged into google chat, to talk to poet Hoa Nguyen to ask her about identity, belonging, and the diasporic experience. Nguyen, whose 2016 book length collection of poems Violet Energy Ingots was shortlisted for the 2017 Griffin prize in poetry, is a poet whose work is known for its melodic quality, weaving rhyme, non sequiturs, syllabic play, and references to Sappho and Shakespeare among others. Born in the Mekong Delta, she was raised in the Washington DC area during the time of punk, post-punk and the Reagan presidency though she now resides in Toronto where she teaches creative writing and serves as a mentor to Miami University’s low residency program in creative writing. She is also the author of Dark (Skanky Possum 1998), Your ancient see through (AA Arts 2001), Hecate Lochia (Hot Whiskey 2009), As long as trees last (Wave 2012) and Red Juice: Poems 1998-2008 (Wave 2014).
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At the start of this semester, I wanted to begin a series of interviews with professors; I believe our faculty are what make the entire Miami English department special and I hoped to use the platform to showcase that. Now that so much has changed as a result of the pandemic, I hope this series can also help future students get to know the creative writing program since they can’t come visit in person. To kick this series off and continue with our National Poetry Month theme, I I interviewed poetry professor cris cheek about his work:
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Born in Honolulu in 1944, Jim Chapson attended San Francisco State University and received his MA in 1968. With his partner, the Irish poet James Liddy (1934–2008), he moved to Milwaukee in 1976 and taught in the UW-Milwaukee English Department as an adjunct until 2016. He served as Poet Laureate of the City of Milwaukee from 2014 to 2016. He spends most of his time reading, writing and shopping at Whole Foods.
I once wrote that Jim’s poems move deftly between razor-sharp satire and passionate spiritual concern. I’ve also been close friends with him for many years and understand how important he is to his former students and poets in Milwaukee.
Paul Vogel: What was growing up in Hawaii like? What does your haole identity mean to you?
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