I first stumbled across Katherine Karlin’s work in the Winter 2015 edition of The Cincinnati Review. The story, “We Are the Polites,” is told from the point of view of the youngest daughter of five children born to a large, famous Greek family. Her name is Honey, all of her other siblings have normal, “non-stripper” names, and they lead clean-shaven, non-stripper lives. Not that Honey is a stripper (she’s not); Honey is an uninteresting accountant whose life pales in comparison to those of her theatrical siblings. Continue reading