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ART 188

A Miami University WordPress Site

  • Renaissance and Baroque Art
    • 1.0 Ancient to Medieval: Crash Course
    • 1.1 Transitions: 14th Century Art in Europe
    • 1.2 Sacred and Profane: 15th Century Northern European Art
    • 1.3 Florence and the Early Italian Renaissance
    • 1.4 Perspective and Humanism in the Italian Renaissance
    • 1.5 16th Century Art in Italy
    • 1.6 The Renaissance in a Global Context
    • 1.7 Baroque Art in Italy and Spain
    • 1.8 Baroque Art in Flanders and the Dutch Republic
  • 18th and 19th Century Art
    • 2.1 Shifting Sensibilities: the Enlightenment and Rococo
    • 2.2 The Reign of Reason: Neoclassicism and Revolution
    • 2.3 The Return of Emotion: Romanticism I
    • 2.4 Turning to Nature: Romanticism II
    • 2.5 Realism: Class in the Nineteenth Century
    • 2.6 British Radicals: The Crystal Palace, the Pre-Raphaelite Brotherhood, and Aestheticism
    • 2.7 Édouard Manet and the Birth of Modern Art
    • 2.8 Impressionism: Modern Vision and Independent Exhibitions
    • 2.9 Post-Impressionism and the fin de siècle
  • 20th Century Art
    • 3.1 Colors Unbound: Fauvism and German Expressionism
    • 3.2 Representing the Fragmented Modern World: Cubism and Futurism
    • 3.3 Absurdism: Dada and Surrealism
    • 3.4 Utopian Dreams: Russian Avant-Garde, De Stijl, and American Social Realism
    • 3.5 Abstract Expressionism
    • 3.6 Neo-Dada and Pop
    • 3.7 Beyond the Object: Minimalism, Postminimalism, and Conceptual Art
    • 3.8 Postmodernism and Contemporary Art
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Renaissance and Baroque Art

1- Ancient to Medieval Crash Course

2- 14th Century European Art

3- 15th Century Northern Europe

4- Florence in the 15th Century

5- Perspective and Humanism in Renaissance Italy

6- 16th Century Art in Italy

7- The Renaissance in Venice and Beyond Italy

8- Italian Baroque Art

9- Baroque Art in Spain and Flanders

10- Baroque Art in the Dutch Republic and France

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