{"id":313,"date":"2017-01-16T12:00:28","date_gmt":"2017-01-16T17:00:28","guid":{"rendered":"http:\/\/sites.miamioh.edu\/visualarts\/?p=313"},"modified":"2017-01-15T18:43:56","modified_gmt":"2017-01-15T23:43:56","slug":"hiestand-happenings-spring-2017","status":"publish","type":"post","link":"https:\/\/sites.miamioh.edu\/visualarts\/2017\/01\/hiestand-happenings-spring-2017\/","title":{"rendered":"Hiestand Happenings Spring 2017"},"content":{"rendered":"

NORTH GALLERY<\/strong> | SPRING 2017<\/h1>\n

\"hiestand_01\"2017 MIAMI UNIVERSITY YOUNG\u00a0PAINTERS COMPETITION FOR\u00a0THE $10,000 WILLIAM AND DOROTHY YECK AWARD<\/span><\/strong>
\n<\/span><\/h3>\n

DEC 15, 2016 – FEB 10, 2017<\/span>
\n<\/span>JUROR: JED PERL, ARTIST, WRITER AND CRITIC, NEW YORK, NY<\/span><\/p>\n

Through the generous gift from William (MU \u201836) and Dorothy Yeck of Dayton, Ohio, Miami University has a unique opportunity to assist students and the community at large to develop a critical understanding of painting in the 21st century. The competition winner will be awarded the $10,000 William and Dorothy Yeck Award, and the painting will become part of Miami University\u2019s permanent collection. This year\u2019s competition focuses on representational\/realist painting.<\/p>\n

JUROR LECTURE<\/strong>
\nTHU, JAN 26 | 5:30\u20136:45 PM <\/span>
\nART 100<\/span><\/p>\n

RECEPTION FOR THE ARTISTS<\/strong>
\nFRI, JAN\u00a027 | 4:30\u20136 PM<\/span><\/p>\n

AWARD CEREMONY<\/strong>
\nFRI, JAN 27 | 5:15 pm<\/p>\n

 <\/p>\n

\"CapstoneF16\"BFA\u00a0CAPSTONE EXHIBITION<\/h3>\n

MAR 14 – APR 6<\/span><\/p>\n

Department of Art senior studio majors participating in the semester long Capstone course feature their latest visual investigations.<\/p>\n

RECEPTION FOR THE ARTISTS<\/strong>
\nTUES, MAR 28 | 4:30\u20135:30 pm<\/span><\/p>\n

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<\/h3>\n

\"Taylor\"MEGAN ALYCE TAYLOR<\/h3>\n

APR 11\u201316<\/span><\/p>\n

My work stems from reactions to both the beauty and brutality of human experience. The constant application and excavation of material across the canvas is an indication of time and loss; physical evidence of the experiential wounds the canvas has collected. These experiences leave a stain, a residue; just beneath the surface, just below the skin. meganalycetaylor.com<\/a><\/p>\n

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<\/h3>\n

\"Roach\"GABRIELLE ROACH: THE SKY IS FALLING<\/h3>\n

APR 18 – 25<\/span><\/p>\n

Whether I am addressing personal issues or capturing shared beliefs about the world, I am fueled by a desire to find order and meaning. Although the narrative of each work varies, the culmination of my work gives physical form to the realm of the mind. gabiroach.com<\/a><\/p>\n

RECEPTION FOR THE ARTIST\u00a0<\/strong>
\nSAT, APR 22, 4\u20136 PM<\/span><\/p>\n

 <\/p>\n

\"Dorgan_1_EnoOnoSaveMe\"SAM DORGAN: EVERYTHING I EVER WANTED<\/h3>\n

MAY 3 – 10<\/span><\/p>\n

Reality is fragmentary and frayed, compressed in ambiguity and layers evident in my work. Experiences and feelings are mixed becoming shimmers\u2014investigated through attempts to defamiliarize\/familiarize through shapes, forms, and imagery that is a fusion of memory and sensation.<\/p>\n

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\n

ROBERT E. AND MARTHA HULL LEE GALLERY | SPRING 2017<\/h1>\n

\"ewaskio-terror-bay\"ANNIE EWASKIO: ARKTOS<\/h3>\n

DEC 15, 2016\u2013FEB 7, 2017<\/span><\/p>\n

The 2016 William and Dorothy Yeck Young Painters Competition winner shares her latest studio works in, Arktos. Ewaskio\u2019s oil paintings continue strange journeys through multilayered eras of Arctic exploration. The settings are reachable only in our imaginations, or the Internet \u2013 supernatural spaces, many of which have been completely altered either by material objects within them or by far-away activity. The artist wishes to thank The Arctic Circle Residency, the Jerome Foundation, the Bemis Center for Contemporary Arts, and the William and Dorothy Yeck Family Foundation for supporting the process of creating this show.\u00a0annieewaskio.com<\/a><\/p>\n

GALLERY TALK<\/strong>
\nFRI, JAN 27 | 3:30\u20134:30 PM<\/span><\/p>\n

RECEPTION FOR THE ARTIST<\/strong>
\n4:30\u20136 PM<\/span><\/p>\n

 <\/p>\n

LARS\/SHIND\"04-LarsonShindelman-ReconnaissanceELMAN: GEOLOCATION<\/h3>\n

FEB 14\u2013MAR 9<\/span><\/p>\n

Geolocation uses publicly available embedded GPS information in Twitter updates to track the locations of user posts and make photographs to mark the location in the real world. The act of making a photograph anchors and memorializes the ephemeral online data in the real world and questions the expectations of privacy surrounding social networks. Marni Shindelman, (MU \u201999), half of the collaborative group, Larson \/Shindelman, will be in residence in the Department of Art, February 14\u201316. She is currently head of the Photography Department at the Lamar Dodd School of Art at the University of Georgia.\u00a0larson-shindelman.com<\/a><\/p>\n

 <\/p>\n

RECEPTION FOR THE ARTISTS<\/strong>
\nTHU, Feb 16 | 4\u20135 PM<\/span><\/p>\n

LECTURE<\/strong>
\nTHU, Feb 16 | 5:30 PM <\/span>
\nART 100<\/span><\/p>\n

 <\/p>\n

\"SimmsBILLY SIMMS: CRAFTOWNE<\/h3>\n

APR 18\u201325<\/span><\/p>\n

Craftowne: a visual novel is a series of pieces that weds text and images\/sculptures to create a narrative of a planned suburban community based on an actual town in Maryland outside of Washington, DC during the \u201870s and \u201880s and the impact on me as a person and artist. billysimmsart.wordpress.com<\/a><\/p>\n

RECEPTION FOR THE ARTIST<\/strong>
\nSAT, APR 22, 4\u20136 PM<\/span><\/p>\n

<\/h3>\n

 <\/p>\n

\"Oyedare\"OLUMUYIWA\u00a0OYEDARE: THE UNDERLYING THROES OF WEALTH<\/h3>\n

MAY 3 – 10<\/span><\/p>\n

This work is a conceptual reflection and the metaphorical narrative of the anguish of the people living in the oil-producing communities of the Niger Delta area of Nigeria.<\/p>\n

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\n

Gallery Hours: Monday – Friday, 9 AM – 4:30 PM
\nOther hours available by appointment<\/em><\/p>\n

Gallery Closures: During Installation & January 1-6, 13, 16 & 20,
\nMarch 20 – 26, May 16 – August 28<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

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