{"id":3420,"date":"2024-05-09T19:37:43","date_gmt":"2024-05-09T19:37:43","guid":{"rendered":"https:\/\/sites.miamioh.edu\/oxmag\/?page_id=3420"},"modified":"2025-05-03T18:22:22","modified_gmt":"2025-05-03T18:22:22","slug":"issue-52","status":"publish","type":"page","link":"https:\/\/sites.miamioh.edu\/oxmag\/issue-52\/","title":{"rendered":"issue 52"},"content":{"rendered":"\n
\"\u201cBotanica\u201d<\/a>
Featured image: \u201cBotanica\u201d by Rahil Najafabadi <\/figcaption><\/figure>\n\n\n\n
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poetry <\/h2>\n\n\n\n

“What You Hear”<\/a> by Bill Schreiber<\/p>\n\n\n\n

\u201cNotifications Off\u201d<\/a> by Charles March III<\/p>\n\n\n\n

“Closing Time”<\/a> by Ben Macnair<\/p>\n\n\n\n

“DER KUSS” <\/a>by Peter Grieco<\/p>\n\n\n\n

“We Wait for Rainwater”<\/a> by Tariq Karibian<\/p>\n<\/div>\n\n\n\n

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creative nonfiction<\/h2>\n\n\n\n

“Beat”<\/a> by Jack Johnson<\/p>\n\n\n\n

“Dialogue; Or, My Museum of Parasocial Delusions”<\/a> by Rachel Stempel<\/p>\n\n\n\n

“Leap”<\/a> by Isaac Richards<\/p>\n\n\n\n

“Succession”<\/a> by Anne Doventry<\/p>\n<\/div>\n<\/div>\n\n\n\n

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fiction<\/h2>\n\n\n\n

“Come Hell or Highwater”<\/a> by Melissa Ridley Elmes<\/p>\n\n\n\n

“Creatures of Habit”<\/a> by Owen Schalk<\/p>\n\n\n\n

“Inside the Shell”<\/a> by Ian Woollen<\/p>\n\n\n\n

“Pretentious Tree (a triptych)”<\/a> by Thad DeVassie<\/p>\n<\/div>\n\n\n\n

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art + new media<\/h2>\n\n\n\n

“Botanica”<\/a> by Rahil Najafabadi<\/p>\n\n\n\n

“Yayue Dancers” <\/a>by Dr. Ernest Williamson III<\/p>\n\n\n\n

“Fissures”<\/a> by Rebecca Anderson<\/p>\n\n\n\n

“Caribe Americana”<\/a> by Victoria Rickards<\/p>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

poetry “What You Hear” by Bill Schreiber \u201cNotifications Off\u201d by Charles March III “Closing Time” by Ben Macnair “DER KUSS” by Peter Grieco “We Wait for Rainwater” by Tariq Karibian creative nonfiction “Beat” by Jack Johnson “Dialogue; Or, My Museum of Parasocial Delusions” by Rachel Stempel “Leap” by Isaac Richards “Succession” by Anne Doventry fiction … <\/p>\n

Continue reading “issue 52”<\/span><\/a><\/p>\n","protected":false},"author":2310,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_bbp_topic_count":0,"_bbp_reply_count":0,"_bbp_total_topic_count":0,"_bbp_total_reply_count":0,"_bbp_voice_count":0,"_bbp_anonymous_reply_count":0,"_bbp_topic_count_hidden":0,"_bbp_reply_count_hidden":0,"_bbp_forum_subforum_count":0,"footnotes":""},"class_list":["post-3420","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/sites.miamioh.edu\/oxmag\/wp-json\/wp\/v2\/pages\/3420","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sites.miamioh.edu\/oxmag\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/sites.miamioh.edu\/oxmag\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/sites.miamioh.edu\/oxmag\/wp-json\/wp\/v2\/users\/2310"}],"replies":[{"embeddable":true,"href":"https:\/\/sites.miamioh.edu\/oxmag\/wp-json\/wp\/v2\/comments?post=3420"}],"version-history":[{"count":0,"href":"https:\/\/sites.miamioh.edu\/oxmag\/wp-json\/wp\/v2\/pages\/3420\/revisions"}],"wp:attachment":[{"href":"https:\/\/sites.miamioh.edu\/oxmag\/wp-json\/wp\/v2\/media?parent=3420"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}