{"id":2182,"date":"2020-06-19T19:58:39","date_gmt":"2020-06-19T19:58:39","guid":{"rendered":"https:\/\/sites.miamioh.edu\/oxmag\/?page_id=2182"},"modified":"2020-06-19T20:13:30","modified_gmt":"2020-06-19T20:13:30","slug":"pompom-flowers-3-2018-laura-shabott","status":"publish","type":"page","link":"https:\/\/sites.miamioh.edu\/oxmag\/pompom-flowers-3-2018-laura-shabott\/","title":{"rendered":"Pompom Flowers #3, 2018 &#8211; Laura Shabott"},"content":{"rendered":"\n<br><h2 style=\"text-align:left\"><strong><em>Pompom Flowers #3, 2018<br>Oil on Panel, 12 x 12 inches, courtesy Four Eleven Gallery<\/em><\/strong><\/h2><p style=\"text-align:left\" class=\"has-medium-font-size\"><strong>Laura Shabott<\/strong><\/p><hr>\n\n\n\n<figure class=\"wp-block-image\"><a href=\"https:\/\/sites.miamioh.edu\/oxmag\/files\/2020\/06\/0001.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"791\" height=\"1024\" src=\"https:\/\/sites.miamioh.edu\/oxmag\/files\/2020\/06\/0001-791x1024.jpg\" alt=\"\" class=\"wp-image-2183\" srcset=\"https:\/\/sites.miamioh.edu\/oxmag\/files\/2020\/06\/0001-791x1024.jpg 791w, https:\/\/sites.miamioh.edu\/oxmag\/files\/2020\/06\/0001-232x300.jpg 232w, https:\/\/sites.miamioh.edu\/oxmag\/files\/2020\/06\/0001-768x994.jpg 768w, https:\/\/sites.miamioh.edu\/oxmag\/files\/2020\/06\/0001-270x350.jpg 270w, https:\/\/sites.miamioh.edu\/oxmag\/files\/2020\/06\/0001-116x150.jpg 116w\" sizes=\"auto, (max-width: 767px) 89vw, (max-width: 1000px) 54vw, (max-width: 1071px) 543px, 580px\" \/><\/a><\/figure><br><br>\n\n\n\n<p style=\"background-color:#ffffff;font-size:14px\" class=\"has-background wp-block-paragraph\">\/\/\/<br>Laura Shabott is part of a core group of artists whose presence and practices &#8211; whether visual, literary or performance -ensures the continuance of Provincetown as a vital arts colony. In 2015, the multi-disciplinary artist returned to painting and drawing through the teachings of Robert Henry and a Romano Rizk Scholarship from PAAM. About her solo show at Four Eleven Gallery in 2018, Emily Mergel writes for <em>Artscope Magazine<\/em> that &#8220;Shabott continually draws inspiration from abstract expressionist Hans Hofmann and breaks forms into their most evocative essentials\u2026She seizes the opportunity to burst the gallery walls, speaking with intentional gesture in visual vocabulary all her own.&#8221;<br><br>A teaching artist at PAAM, Castle Hill and the Cape Cod Museum of Art, Shabott works with adults who want to immerse themselves in drawing and painting after other careers and journeys.<\/p>\n\n\n\n<br><figure class=\"wp-block-image is-resized\"><a href=\"https:\/\/sites.miamioh.edu\/oxmag\/issue-42\/\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/sites.miamioh.edu\/oxmag\/files\/2020\/06\/42tan.png\" alt=\"\" class=\"wp-image-1863\" width=\"275\" height=\"152\"><\/a><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>Pompom Flowers #3, 2018Oil on Panel, 12 x 12 inches, courtesy Four Eleven Gallery Laura Shabott \/\/\/Laura Shabott is part of a core group of artists whose presence and practices &#8211; whether visual, literary or performance -ensures the continuance of Provincetown as a vital arts colony. In 2015, the multi-disciplinary artist returned to painting and &hellip; <\/p>\n<p class=\"link-more\"><a href=\"https:\/\/sites.miamioh.edu\/oxmag\/pompom-flowers-3-2018-laura-shabott\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Pompom Flowers #3, 2018 &#8211; Laura Shabott&#8221;<\/span><\/a><\/p>\n","protected":false},"author":2310,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_bbp_topic_count":0,"_bbp_reply_count":0,"_bbp_total_topic_count":0,"_bbp_total_reply_count":0,"_bbp_voice_count":0,"_bbp_anonymous_reply_count":0,"_bbp_topic_count_hidden":0,"_bbp_reply_count_hidden":0,"_bbp_forum_subforum_count":0,"footnotes":""},"class_list":["post-2182","page","type-page","status-publish","hentry"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/sites.miamioh.edu\/oxmag\/wp-json\/wp\/v2\/pages\/2182","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sites.miamioh.edu\/oxmag\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/sites.miamioh.edu\/oxmag\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/sites.miamioh.edu\/oxmag\/wp-json\/wp\/v2\/users\/2310"}],"replies":[{"embeddable":true,"href":"https:\/\/sites.miamioh.edu\/oxmag\/wp-json\/wp\/v2\/comments?post=2182"}],"version-history":[{"count":0,"href":"https:\/\/sites.miamioh.edu\/oxmag\/wp-json\/wp\/v2\/pages\/2182\/revisions"}],"wp:attachment":[{"href":"https:\/\/sites.miamioh.edu\/oxmag\/wp-json\/wp\/v2\/media?parent=2182"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}