{"id":73,"date":"2020-04-22T02:12:52","date_gmt":"2020-04-22T06:12:52","guid":{"rendered":"http:\/\/sites.miamioh.edu\/muam-arthistory\/?p=73"},"modified":"2020-04-30T08:20:53","modified_gmt":"2020-04-30T12:20:53","slug":"telemaque-ravage-par-lamour","status":"publish","type":"post","link":"https:\/\/sites.miamioh.edu\/muam-arthistory\/2020\/04\/telemaque-ravage-par-lamour\/","title":{"rendered":"T\u00e9l\u00e9maque Ravage par l\u2019Amour"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Throughout his artistic career, Honor\u00e9 Daumier struggled against the rigid censorship in Paris during the early-mid 19th century. Critical in nature, his satirical commentary on the government garnered negative attention and legal ramifications, forcing him to shift his gaze towards social critique. His work embodies the essence of Realism, as artists began to reject the ideas of Romanticism and turned to subjects of the social, political and economic structure of modern life. This piece, a part of the series <em>L\u2019histoire Ancienne <\/em>(Stories from Antiquity) printed in the controversial newspaper <em>Le Charivari<\/em>, comments on the Bourgeoise fascination with Greek and Roman thought. Signaling the end of this infatuation, the once-strong and vibrant hero Telemachus\u2019 stature echoes that of the wilting flowers as he is subdued by romantic love. <\/p>\n\n\n\n<figure class=\"wp-block-image\"><img loading=\"lazy\" decoding=\"async\" width=\"515\" height=\"640\" src=\"https:\/\/sites.miamioh.edu\/muam-arthistory\/files\/2020\/04\/1990.155-1.jpg\" alt=\"\" class=\"wp-image-74\" srcset=\"https:\/\/sites.miamioh.edu\/muam-arthistory\/files\/2020\/04\/1990.155-1.jpg 515w, https:\/\/sites.miamioh.edu\/muam-arthistory\/files\/2020\/04\/1990.155-1-241x300.jpg 241w\" sizes=\"auto, (max-width: 515px) 100vw, 515px\" \/><figcaption>Honor\u00e9 Daumier (French, 1808-1879) <em>T\u00e9l\u00e9maque Ravage par l\u2019Amour, <\/em>Dec 1841-Jan 1843 Lithograph Miami University Art Museum Purchase through the Art Museum Commemorative Fund in Memory of Ruth Edson, Victor Furth, Mary Jane Bolus and Dorothy Cameron 1990.155&nbsp;<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"<div class=\"mh-excerpt\"><p>Throughout his artistic career, Honor\u00e9 Daumier struggled against the rigid censorship in Paris during the early-mid 19th century. Critical in nature, his satirical commentary on <a class=\"mh-excerpt-more\" href=\"https:\/\/sites.miamioh.edu\/muam-arthistory\/2020\/04\/telemaque-ravage-par-lamour\/\" title=\"T\u00e9l\u00e9maque Ravage par l\u2019Amour\">[&#8230;]<\/a><\/p>\n<\/div>","protected":false},"author":1541,"featured_media":236,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_bbp_topic_count":0,"_bbp_reply_count":0,"_bbp_total_topic_count":0,"_bbp_total_reply_count":0,"_bbp_voice_count":0,"_bbp_anonymous_reply_count":0,"_bbp_topic_count_hidden":0,"_bbp_reply_count_hidden":0,"_bbp_forum_subforum_count":0,"footnotes":""},"categories":[5],"tags":[83,22],"class_list":["post-73","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-printed-works","tag-daumier","tag-french"],"_links":{"self":[{"href":"https:\/\/sites.miamioh.edu\/muam-arthistory\/wp-json\/wp\/v2\/posts\/73","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sites.miamioh.edu\/muam-arthistory\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/sites.miamioh.edu\/muam-arthistory\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/sites.miamioh.edu\/muam-arthistory\/wp-json\/wp\/v2\/users\/1541"}],"replies":[{"embeddable":true,"href":"https:\/\/sites.miamioh.edu\/muam-arthistory\/wp-json\/wp\/v2\/comments?post=73"}],"version-history":[{"count":0,"href":"https:\/\/sites.miamioh.edu\/muam-arthistory\/wp-json\/wp\/v2\/posts\/73\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/sites.miamioh.edu\/muam-arthistory\/wp-json\/wp\/v2\/media\/236"}],"wp:attachment":[{"href":"https:\/\/sites.miamioh.edu\/muam-arthistory\/wp-json\/wp\/v2\/media?parent=73"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/sites.miamioh.edu\/muam-arthistory\/wp-json\/wp\/v2\/categories?post=73"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/sites.miamioh.edu\/muam-arthistory\/wp-json\/wp\/v2\/tags?post=73"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}