The work of Joos Van Cleve was celebrated across northern Europe during the 16th century. His style is reminiscent of his predecessor, Hans Memling and his contemporary Gerard David. Van Cleve employed a workshop of assistants and inspired countless followers with his skillful painting. This work done by one such follower, portrays the emotional connection between mother and child as Mary gazes lovingly upon her sleeping infant. Infused with symbolism typical of the time, the Virgin wears her traditional blue mantel while a necklace of coral beads drapes around the infant Jesus’ neck. Jewelry of Mediterranean red coral was often worn by children as it was believed to bring protection and healing to the wearer, while also referencing the blood of Christ’s eventual sacrifice.
