{"id":2476,"date":"2025-11-24T14:58:47","date_gmt":"2025-11-24T18:58:47","guid":{"rendered":"https:\/\/sites.miamioh.edu\/havighurst\/?p=2476"},"modified":"2025-11-24T14:58:55","modified_gmt":"2025-11-24T18:58:55","slug":"soviet-lithuania-and-subversive-humor","status":"publish","type":"post","link":"https:\/\/sites.miamioh.edu\/havighurst\/2025\/11\/24\/soviet-lithuania-and-subversive-humor\/","title":{"rendered":"Soviet Lithuania and Subversive Humor"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">By Eliza Sullivan<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">After an enlightening semester, Miami University\u2019s Havighurst Colloquium class had its final guest speaker on Monday, November 17. The speaker, Dr. Neringa Klumbyte is a professor of anthropology and European studies at Miami University. She gave a talk in Benton Hall on Lithuanian Soviet humor, one based largely on her book <em>Authoritarian Laughter: Political Humor and Soviet Dystopia in Lithuania<\/em>, which examined the role of Soviet humor in Lithuania.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Klumbyte focused mostly on <em>Broom<\/em>, a satirical Lithuanian magazine. <em>Broom <\/em>was published by the Lithuanian Communist Party and contained the cartoons and satirical essays, called feuilletons, which the editors felt were sufficiently aligned with the Party\u2019s ideological message.<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><a href=\"https:\/\/sites.miamioh.edu\/havighurst\/files\/2025\/11\/broom1972.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"625\" height=\"834\" src=\"https:\/\/sites.miamioh.edu\/havighurst\/files\/2025\/11\/broom1972.jpg\" alt=\"\" class=\"wp-image-2477\" style=\"width:435px;height:auto\" srcset=\"https:\/\/sites.miamioh.edu\/havighurst\/files\/2025\/11\/broom1972.jpg 625w, https:\/\/sites.miamioh.edu\/havighurst\/files\/2025\/11\/broom1972-225x300.jpg 225w\" sizes=\"auto, (max-width: 625px) 100vw, 625px\" \/><\/a><figcaption class=\"wp-element-caption\">Broom Cover from 1972 celebrating the 50th anniversary of the USSR<\/figcaption><\/figure>\n<\/div>\n\n\n<p class=\"wp-block-paragraph\">The Communist Party, as Klumbyte noted, used humor as a method of propaganda. Their hope was that by telling <em>Broom <\/em>readers what to laugh about, the Party could shape their perception of society. Klumbyte argues that this is a difficult, if not impossible task, because you can\u2019t control the way people consume the media you create. Propaganda is not a one-way process; both the author and the audience of a piece of media are responsible for the message that is ultimately conveyed.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Broom <\/em>writers and editors practiced what Klumbyte referred to in chapter 6 of her book as \u201cbanal opposition.\u201d Unless there was an overtly problematic message conveyed in the pieces they reviewed, <em>Broom <\/em>editors would allow cartoons that could be read as critical of the Soviet state to run. Editors knew where the hard lines they could not cross were, but were always pushing the boundaries of acceptable criticism. These editors were seen as loyal by the Communist Party, so their transgressions were considered accidental and they were not harshly punished.<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><a href=\"https:\/\/sites.miamioh.edu\/havighurst\/files\/2025\/11\/broom1981.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"658\" height=\"834\" src=\"https:\/\/sites.miamioh.edu\/havighurst\/files\/2025\/11\/broom1981.jpg\" alt=\"\" class=\"wp-image-2478\" style=\"width:447px;height:auto\" srcset=\"https:\/\/sites.miamioh.edu\/havighurst\/files\/2025\/11\/broom1981.jpg 658w, https:\/\/sites.miamioh.edu\/havighurst\/files\/2025\/11\/broom1981-237x300.jpg 237w\" sizes=\"auto, (max-width: 658px) 100vw, 658px\" \/><\/a><figcaption class=\"wp-element-caption\">Broom cartoon by Kestutis Siaulytis from 1982 (no. 2) criticizing American warmongers for their desire to start World War III. A reader wrote to the journal to complain that the figure to the right of the speaker looked like Brezhnev.<\/figcaption><\/figure>\n<\/div>\n\n\n<p class=\"wp-block-paragraph\">As a result of this \u201cbanal opposition,\u201d the \u201cofficial humor\u201d sanctioned by the Communist Party and published in <em>Broom <\/em>was suspiciously similar to \u201cunofficial humor\u201d\u2013jokes individuals made privately because their creators knew they could face reprimands for speaking that way about the regime.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Klumbyte argued that, because not all Lithuanians were fully committed to the Soviet cause, laughter in Lithuania was \u201cmultidirectional.\u201d Satirical propaganda laughed at the social ills the Communist Party had prescribed as appropriate targets, but their satire could also be used as a weapon against the Soviet system.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">It must be noted that <em>Broom <\/em>satire was not a revolutionary force. On the contrary, it upheld the Soviet system. As Klumbyte writes in chapter 7 of her book, people often wrote to the <em>Broom <\/em>in hopes of correcting injustices. When the <em>Broom <\/em>published its satirical material, the public shaming and mockery of wrongdoers was incredibly effective. Many people were afraid of being reported to <em>Broom<\/em>.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">However, the Communist Party had a policy of only criticizing individual instances of wrongdoings and protecting high-level officials. As a result, the problems that <em>Broom <\/em>investigated were often injustices symptomatic of larger structural issues, or issues that could be attributed to high-level officials, but were instead blamed on laypeople. <em>Broom <\/em>could not affect true justice because it was working within the framework of the State. It did provide for some accountability, but that accountability was selective, inconsistent, and very rarely aimed at the true cause of the issues.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">It may seem counterintuitive that a State would allow its official propaganda to poke fun at the society it created. However, from a Soviet perspective, Lithuanian propaganda in the <em>Broom <\/em>reinforced the State\u2019s message that societal issues are the result of individual bad actors, not systemic problems. The fear people had of being reported to the <em>Broom <\/em>encouraged them to stay in line and participate in the Soviet project. Of course, there were also always pieces satirizing the ills of the West and capitalism, which further demonstrated the superior nature of the Soviet Union.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">However, because many Lithuanians were not fully on board with the Soviet project, they chose to interact with propaganda differently. <em>Broom <\/em>editors printed cartoons that pushed the boundary of the party line. Readers engaged in multidirectional laughter; they were able to both enjoy a piece of satire for its intended message and also poke fun at the system using its own propaganda. As Dr. Klumbyte said, \u201cthey can kill people, but they can\u2019t occupy your soul. They can\u2019t make you laugh if you don\u2019t want to laugh.\u201d<\/p>\n","protected":false},"excerpt":{"rendered":"<p>By Eliza Sullivan After an enlightening semester, Miami University\u2019s Havighurst Colloquium class had its final guest speaker on Monday, November 17. The speaker, Dr. Neringa Klumbyte is a professor of anthropology and European studies at Miami University. She gave a &hellip; <a href=\"https:\/\/sites.miamioh.edu\/havighurst\/2025\/11\/24\/soviet-lithuania-and-subversive-humor\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":781,"featured_media":2477,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"gallery","meta":{"_bbp_topic_count":0,"_bbp_reply_count":0,"_bbp_total_topic_count":0,"_bbp_total_reply_count":0,"_bbp_voice_count":0,"_bbp_anonymous_reply_count":0,"_bbp_topic_count_hidden":0,"_bbp_reply_count_hidden":0,"_bbp_forum_subforum_count":0,"_s2mail":"","footnotes":""},"categories":[18,6],"tags":[],"class_list":["post-2476","post","type-post","status-publish","format-gallery","has-post-thumbnail","hentry","category-colloquium-talks","category-lecture_reviews","post_format-post-format-gallery"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/sites.miamioh.edu\/havighurst\/wp-json\/wp\/v2\/posts\/2476","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sites.miamioh.edu\/havighurst\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/sites.miamioh.edu\/havighurst\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/sites.miamioh.edu\/havighurst\/wp-json\/wp\/v2\/users\/781"}],"replies":[{"embeddable":true,"href":"https:\/\/sites.miamioh.edu\/havighurst\/wp-json\/wp\/v2\/comments?post=2476"}],"version-history":[{"count":0,"href":"https:\/\/sites.miamioh.edu\/havighurst\/wp-json\/wp\/v2\/posts\/2476\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/sites.miamioh.edu\/havighurst\/wp-json\/wp\/v2\/media\/2477"}],"wp:attachment":[{"href":"https:\/\/sites.miamioh.edu\/havighurst\/wp-json\/wp\/v2\/media?parent=2476"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/sites.miamioh.edu\/havighurst\/wp-json\/wp\/v2\/categories?post=2476"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/sites.miamioh.edu\/havighurst\/wp-json\/wp\/v2\/tags?post=2476"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}